MASK, an on-going exploration, questions the instrumental production of spatial identity, as well as the formal and social virtuals evoked by masked connotations. At the heart of the first installation is an interactive piece that explores the complex relationship between identity, space, and displacement. Centered on the Korean-Taiwanese community’s experience of displacement in the 1970s, the work delves into how identity is constructed, masked, and erased through both physical and virtual spaces. MASK becomes not just a reflection of historical displacement, but a space for dialogue and self-reflection. It asks the audience to reconsider how their own identities are shaped by the spaces they inhabit, both in the material world and the virtual realms.